Natalie Bookchin is an artist with a background in photography and film who created pioneering art work in the 1990s that used the Internet as both material and site. From 1998 to 2000 she was a member of the collective ®TMark. Her most recent video series sample and archive data flows of images from security webcams around the world, creating unusual portraits of global landscapes. Her work has been shown widely in international venues including PS1, Mass MOCA, the Generali Foundation, the Walker Art Center, and The Museum of Contemporary Art, Los Angeles. She has been commissioned to make projects for the Whitney Museum, the Tate Museum, the Walker Art Center, and Creative Time, among other venues. She has received grants from Creative Capital, the Guggenheim Foundation, the Durfee Foundation, the California Arts Council, the Rockefeller Foundation, California Community Foundation, New York State Council for the Arts, Daniel Langlois Foundation, Andy Warhol Foundation among others. Her work has been written about in Artforum, the New York Times, Flash Art, Art News, el Pais, Liberation, the Los Angeles Times, Glamour Magazine, La Repubblica among many other, and in books including The Digital Dialectic: New Essays on New Media, (MIT Press: 2000), At the Edge of Art (Thames & Hudson: 2006). New Media Art (Taschen, 2006), Internet Art (Thames & Hudson: 2005), Digital Media; Directions in Art (Heinemann Library: 2003), Internet Art: The Online of Culture and Commerce. (Tate Publishing: 2003), Digital Art (Thames & Hudson: 2005), and What Do Pictures Want? The Lives and Loves of Images. (Univ. Of Chicago Press: 2006).

If you would like more information on Natalie Bookchin, please view her website:
http://bookchin.net